"One box. Two knobs. Super versatile. Wow." Guitar Player magazine - Editor's Pick award winner!
"Its voicing is pitched just right. This is one versatile fuzzbox." Guitarist magazine - Guitarist Choice award winner!
"If it doesn't sound right it must be your amp's fault." The Guitar Magazine - The Guitar Magazine Choice award winner!
"A mean and wonderful machine that left me wondering if I needed anything besides this one pedal. An absolute killer that can range from always-on, warm-and-mellow boost tones to colorful, organic crunch to scathing and blazing fuzz sounds." Premier Guitar Magazine - Premier Gear award winner!
"The King Fuzz is one of the most impressive dirtboxes ever to have come through the front door at Guitarist. The perfect 'always-on' fuzzbox? You bet." Hot Effects Guide (Guitarist magazine)
"We love just about everything about the King Fuzz. These tones could be the pride of your 'board for some time to come." Total Guitar magazine
"You won't want to switch it off." Guitar & Bass magazine
"It delivers surprising versatility for such a simple design, and that should be applauded." Guitar Interactive magazine
"Its touch sensitivity and response to changes in pickups and guitars is truly impressive." Music Radar
“Just thought I’d drop you a line and say how amazing I think the King Fuzz sounds! It has completely blown me away! Nice work indeed.” Chris Vinnicombe (Guitarist magazine)
"I don't know how long your waiting list is Rhys, but it just got a lot longer!" Mick Taylor (That Pedal Show)
“I absolutely love this fuzz. Probably one of the best out there.” Joe Halliday (Hello Sailor Effects)
"Exactly what I want in a fuzz pedal. Quite frankly this is one of the best I've ever heard." Michael Watts
"The King Fuzz is a piece of art!" Philip Czarnecki
"I LOVE this pedal!! It's really, really, REALLY good. One of my new favourite fuzz pedals, it's definitely going on the 'board." Sasha Ivantic
"Wonderful! It's super chunky, it has a lot of splatter but it's still put together. Giant, loose, thick. Your work looks so cool!!!" Joshua Heath Scott (JHS Pedals)
"It really is a nice pedal, you did a fine job on it. Really responsive and without the bloated bottom end. You've got some really nice things going on." Marc Ford (The Black Crowes/Ben Harper/Gov't Mule)
“Big thanks to Bigfoot for the awesome King Fuzz. Brendan has been really digging it in the studio and at SXSW!” Brendan Benson (The Raconteurs)
“Lovely smooth fuzz with vintage overtones that allows the bottom end to still punch through. It responds so well to the guitar, dynamics still in place and character retained. Love it!” Stephen Street (Producer - Blur / Graham Coxon)
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Our mini guitar fuzz pedal.
Overview
The circuits and tones are identical in the King Fuzz Mini to the standard King Fuzz pedal. However, the King Fuzz Mini does not feature the internal battery option.
Sound
Inspired by the organic guitar tones of Dan Auerbach (The Black Keys), this pedal is designed to sound and respond exactly like a cranked up vintage tube amp. It caters for everything from medium gain blues to fully saturated rock, and everything in between.
Features
This pedal does not feature any EQ controls because the tone has been meticulously crafted to provide the perfect sweet spot every time. The character of any guitar will always shine through, retaining every nuance of your playing dynamics and reacting flawlessly to your guitar's volume controls.
Applications
If you're looking for tube amp quality distorted tones from a pedal, this is the tool for the job.
Controls
-Fuzz Gain control (top left).
-Fuzz Volume control (top right).
-Fuzz on/off foot switch (bottom middle).
-Fuzz on/off indicator LED (top middle).
Connections
-Mono 1/4" input and output jack sockets (side-mount).
-Industry standard 2.1mm centre negative power supply socket (top-mount).
Power
9vDC power supply (no battery option). Current draw > 5mA.
Placement
Connect it anywhere on your pedalboard and get consistent tone every time.
Construction
All analogue, hand built in England UK. True bypass.
Specification
-Length 112mm (4.41").
-Width 60mm (2.36").
-Height- 27mm (1.06").
-Weight 0.25 kg (0.55 lbs).
Our flagship guitar fuzz pedal.
Overview
The Bigfoot King Fuzz is a high gain guitar pedal that covers a multitude of fuzz and distortion tones.
Sound
Inspired by the organic guitar tones of Dan Auerbach (The Black Keys), this pedal is designed to sound and respond exactly like a cranked up vintage tube amp. It caters for everything from medium gain blues to fully saturated rock, and everything in between.
Features
This pedal does not feature any EQ controls because the tone has been meticulously crafted to provide the perfect sweet spot every time. The character of any guitar will always shine through, retaining every nuance of your playing dynamics and reacting flawlessly to your guitar's volume controls.
Applications
If you're looking for very high quality distorted guitar tones from a pedal, this is the tool for the job.
Controls
-Fuzz Gain control (top left).
-Fuzz Volume control (top right).
-Fuzz on/off foot switch (bottom right).
-Fuzz on/off indicator LED (top middle).
Connections
-Mono 1/4" input and output jack sockets (side-mount).
-Industry standard 2.1mm centre negative power supply socket (top-mount).
Power
9vDC power supply or internally fitted PP3 battery. Current draw > 5mA.
Placement
Connect it anywhere on your pedalboard and get consistent tone every time.
Construction
All analogue, hand built in England UK. Buffered bypass.
Specification
-Length 119mm (4.69").
-Width 94mm (3.70").
-Height 30mm (1.18").
-Weight 0.34 kg (0.75 lbs).
Our deluxe guitar fuzz pedal.
Overview
The Bigfoot King Fuzz XL is two award-winning guitar pedals in one box: the Thunder Pup overdrive and the King Fuzz distortion.
Sound
It will cover all your dirty sounds with ease. It has separate 2 modes, one for lower gain sounds and one for higher gain sounds, both of which have our trademark tube amp quality tone. The overdrive circuit provides classic Angus Young (AC/DC) Marshall-esque grit, while the distortion circuit captures a Dan Auerbach (The Black Keys) inspired saturation.
Features
This pedal does not feature any EQ controls because the tone has been meticulously crafted to provide the perfect sweet spot every time. The character of any guitar will always shine through, retaining every nuance of your playing dynamics and reacting flawlessly to your guitar's volume controls.
Applications
If you're looking for very high quality overdriven and distorted guitar tones from a pedal, this is the tool for the job.
Controls
-Overdrive Gain control (top left).
-Overdrive Volume control (bottom left).
-Fuzz Gain control (top right).
-Fuzz Volume control (bottom right).
-On/off foot switch (bottom left).
-AB Overdrive/Fuzz foot switch (bottom right).
-Overdrive on/off indicator LED (top left).
-Fuzz on/off indicator LED (top right).
Connections
-Mono 1/4" input and output jack sockets (side-mount).
-Industry standard 2.1mm centre negative power supply socket (top-mount).
Power
9vDC power supply (no battery option). Current draw > 5mA.
Placement
Connect it anywhere on your pedalboard and get consistent tone every time.
Construction
All analogue, hand built in England UK. Buffered bypass.
Specification
-Length 119mm (4.69").
-Width 94mm (3.70").
-Height 30mm (1.18").
-Weight 0.44 kg (0.97 lbs).